Two members of the anonymous
group of female artists known as Guerrilla Girls came to Rock
Island ’s Augustana
College . Frida Kahlo was
the speaker in Centennial Hall on a chilly January night. She presented a slide
show of public activism that dated back to 1986. She used the F word, feminism, fairly often.
We saw lots of posters,
stickers, and guerrilla masks. The full head masks were surprisingly mobile and
expressive. The bananas thrown out to the audience were a nice touch.
I always enjoy a dose of statistics and those presented for the
inclusion of female artists in major museums were low, low, low. Same for
artists of color. Same for artists of non-mainstream sexual orientation.
Other evidence presented: A brief overview of clothing options through the
major periods of art history—Greek, Middle Ages, Renaissance, Modern.
Greece-nude guys
Middle Ages-everyone but the
baby Jesus was clothed
Renaissance-lots of clothing
Modern-the majority of women
bare it all
One point that was made
often: Rich white men were paying big bucks to influence the art market and
were thereby defining our culture through what is purchased and shown in
museums. An interesting thought. Do museums really exist to provide extra
storage space for the art collections of wealthy folks?
My own thoughts reflected
back on the research I did on art forgery in preparation for my novel, Clouds
Over Bishop Hill. I came across some interesting statistics on how much forged
art is out there. Possibly quite a bit. As much as 40% of all fine art in
museums and collections could be forgeries, fakes.
Hummm … that means those rich
white guys may not be getting their millions of dollars worth of art value.
Tsk, tsk.
So, if you see “Painted in
the style of…,” you might want to pause before buying. Better yet, go out and
look around for the work of some under-represented artists, female or otherwise.
Then your art purchase will be a good deal for the artist, and a shot in the
arm for our culture as a whole.
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