There are a few ways to read:
·
Slow #1-trying
to savor the experience
·
Slow #2-having
to stop to look up words, or, worse yet, trying to figure out who’s talking
·
Out loud-preferably
to a youngster
·
Fast-speed
reading to get it done and out of the way
Similarly, there are
different ways to edit:
·
Slow & meticulous-trying to stay alert to every possible problem
·
Reading out loud-listening to your words to hear if they flow, or not
·
Reading backwards-trying to trick your brain out of automatically
“filling in the gap” instead of recognizing a mistake
·
Fast and furious-only hitting the high points that need the most attention
I’m not sure this last one is
a valid tool or not. All I can say is that I happened upon it pretty much by
accident and it worked for me.
I had started an editing read
for my novel a couple of weeks ago, but couldn’t quite muster up the momentum
for an in-depth, motivated, and all out thorough editing read.
After all, what I wanted most
was to add a few tidbits of color here and there by using the tips on
sheriffing terminology I’d gotten from talking to Donald Harstad. I also wanted
to add a couple of other small “adjustments” I’d discovered through my
recreational reading. I sometimes come across a word or phrase that sounds just
perfect and wish “I’d thought of that.” I use them when I remember, and I
remember to make them “my own” and not simply copy verbatim.
So, I noticed that as I was
picking up speed for this quick read through the heaviness lifted, it didn’t
feel like a chore any more.
Another odd thing happened. I
was able to pick up some long standing mistakes: like finding a “the” that
should have been a “them.” That shouldn’t have happened. All I can figure is
that the subconscious mind is an amazing tool. It works best when you let it
loose.
In the end, I was able to pleasantly
accomplish a great deal with this fast
and furious approach to editing.
Did I stumble onto something
new?
Probably not.
But it was all new to me.
And that’s what matters most
for me and my novel.
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